the crow from jim

BLACK HISTORY: (WHO WAS JIM CROW?)

Introduction:

The name Jim Crow is often used to describe the segregation laws, rules, and customs which arose after Reconstruction ended in 1877 and continued until the mid-1960s. How did the name become associated with these "Black Codes" which took away many of the rights which had been granted to Blacks through the 13th, 14th, and 15th Amendments?

Backstory:

The name "Jim Crow," first appeared in sheet music written by Thomas Dartmouth "Daddy" Rice (1st photo). Rice, a struggling "actor" (he did short solo skits between play scenes) at the Park Theater in New York, happened upon a Black person singing the above song -- some accounts say it was an old Black slave who walked with difficulty, others say it was a ragged Black stable boy. Whether modeled on an old man or a young boy we will never know, however, it is clear that in 1828 Rice appeared on stage as "Jim Crow" -- an exaggerated, highly stereotypical Black character.

Rice, a White man, was one of the first performers to wear blackface makeup -- his skin was darkened with burnt cork. His Jim Crow song-and-dance routine was an astounding success that took him from Louisville to Cincinnati to Pittsburgh to Philadelphia and finally to New York in 1832. He then performed to great acclaim in London and Dublin. By then "Jim Crow" was a stock character in minstrel shows, along with counterparts Jim Dandy and Zip Coon. Rice's subsequent blackface characters were Sambos, Coons, and Dandies. White audiences were receptive to the portrayals of Blacks as singing, dancing, grinning fools.



By 1838, the term "Jim Crow" was being used as a collective racial epithet for Blacks, not as offensive as ni**er, but as offensive as coon or darkie. Obviously, the popularity of minstrel shows aided the spread of Jim Crow as a racial slur.

The minstrel show was one of the first native forms of American entertainment, and Rice was rightly regarded as the "Father of American minstrelsy." He had many imitators. In 1843, four White men from New York, billed as the "Virginia Minstrels," darkened their faces and imitated the singing and dancing of Blacks. They used violins, castanets, banjos, bones and tambourines. Their routine was successful and they were invited to tour the country.

Rice, and his imitators, by their stereotypical depictions of Blacks, helped to popularize the belief that Blacks were lazy, stupid, inherently less human, and unworthy of integration. During the years that Blacks were being victimized by lynch mobs, they were also victimized by the racist caricatures propagated through novels, sheet music, theatrical plays, and minstrel shows. Ironically, years later when Blacks replaced White minstrels, the Blacks also "blackened" their faces, thereby pretending to be Whites pretending to be Blacks. They, too, performed the Coon Shows which dehumanized Blacks and helped establish the desirability of racial segregation.

Daddy Rice, the original Jim Crow, became rich and famous because of his skills as a minstrel. However, he lived an extravagant lifestyle, and when he died in New York on September 19, 1860, he was in poverty.

[JIM BEEN BACK NOW HES BEING HANDED DWN 2 US BY OTHER COLORDS]